The character dynamics in Fugard's play are interesting the character that signifies Fugard represents the only individual capable of liberating himself from apartheid.

'Master Harold and the Boys' delves into the social and psychological dynamics of character relationships' power, in the Apartheid era. The third and final part, 'Men of Magnitude,' deals with the historic context of an important discussion between Sam and Hally (Fugard 9). The second part, 'Crippled Relationships,' outlines Hally's troubled relationship with his biological father, together with the former's relationship with his substitute father figure, Sam. The first part of the three-part play - 'A World without Collisions' - discusses Sam's idea of ballroom dance as a symbol of utopian society Hally's skepticism with regard to the matter is emphasized here. The implications of White South Africans' apartheid mentality will be examined in this paper, as will Fugard's effort to defend his actions that added to societal cruelty. The play opens with Willie and Sam preparing for a competition in ballroom dancing (Rose 1). The family managed to survive in a culture threatened by prejudice and racism.

George's Park, owned by seventeen-year-old Hally's parents. The play is set in Port Elizabeth, South Africa, in the apartheid era (1950, to be precise). Athol Fugard's play Master Harold and the Boys portrays a White teenager, Hally's experiences, along with those of Willie and Sam, his Black (and much older) servants.

Master harold and the boys pdf